Time & Tide

Peter Funch - Babel Tales

3 seperate images from the Babel Tales series

Peter Funch utilizes photomontage to orchestrate some order from the chaos of the city. By photographing from the same spot time and again a sense of tribal identity seeps into the imagination

Peter Funch Website

Wendy McMurdo

Helen, Backstage, Merlin Theatre (The Glance) 1996. Wendy McMurdo

In a Shaded Place - The Digital and the Uncanny

Wendy McMurdo Website

Lorretta Lux

Surreal Portraits of Children that mix digital manipulation with painting techniques. They can take up to a year to make . Weird but wonderful, subtle digital alteration.

"The children's heads have been slightly enlarged, their skin porcelainized, their eyes given a glasslike vividness. Their outfits are sometimes color coordinated with the surrounding sky or a rose garden. Or they are seen against walls whose unusual tactility may include visible brushstrokes or, in the case of ''Study of a Boy 2,'' handdrawn images. The poses and compositions draw from the history of painting -- Ghirlandaio, Bronzino, Goya and Balthus, for example." (NY Times Review)

Lorretta Lux Website

Tom Leighton - Cityscapes

The photographs of Tom Leighton engage with the urban landscape. By digitally altering photographs, he tries to deconstruct and retranslate the cities that we inhabit. Creating fictional landscapes allows him to ignore the constraints of possibility and logic. However, as much as he pulls apart and constructs his unique urban views, he aims to create a believable view of the world, which verges on the surreal, but remains rooted in reality.

“My photography is very exploratory – I don’t go on planned ‘photo shoots’, but I am constantly trying to track down exciting architecture or city views. In doing so I have to improvise interesting vantage points or use the part of the structure I am photographing as my tripod. This type of experimentation leads to unconventional perspectives and when combined and manipulated gives my work its illusory depth. Frequently I try to leave the viewer of my work floating from an ‘all seeing’ elevated dreamlike perspective – they become disconnected /disassociated and are left reflecting on a vision of urban splendour which simultaneously conflicts with the evident paranoia inherent in contemporary society.

In my work I have complete control as I contort & construct urban spaces. I show a complete disregard for the fundamentals of physics as I introduce gravity defying structures. I chose to use multiple natural light sources to create a collision of shadows and hyper real lighting. All this allows me to produce areas of ambiguity – and by doing so I play with the brains capacity to ignore or falsely correct what doesn’t make sense. My photographs are akin to a memory of a place - a distorted, reconstituted reality”(Cynthia Corbett Gallery Blurb)

Tom's Website